10/28/14
Review: Nightmare City – Nightmare Tape (Electric Assault 2014 MC)
10/21/14
Review: Sex Dwarf – Non Stop Erotic Noise Cabaret (D-takt & Råpunk 2014 LP)
In case that the
band name and the album title aren't enough to catch your attention,
the noise (not music) most certainly will. The first LP of
Stockholm's Sex Dwarf has arrived. I though that last years EP was
basically at the actual limit of how raw it possibly can get, but in
comparison to this it feels like it wasn't even close. On the other
hand though it also feels clearer and the songs distinguish
themselves from each other much better than on the EP. They have
somehow succeeded in making it sound both better and worse at the
same time.
When it comes to
the songs, it's more or less full speed d-beat distortion madness all
the time, but there are also more sides of it to discover if you take
a closer look. Some mid-tempo tracks like Krigslust, Slavery and
Avnazifiering, as well as the surprisingly death metal sounding and
d-beat free Din Gud does a lot to make it more dynamic and diverse. I
also have to mention the last two minutes of the final track Frihet,
sounds like a mental breakdown caught on tape.
A must have for all
the raw punks out there. 8/10 /H
10/15/14
Review: Witchclan – The Dark Binding (Elvester Records 2014)
The name
Witchclan probably doesn't sound familiar to many, but this is in
fact one of the first black metal bands to emerge from the UK.
Nowadays, it's a one man project though, and The Dark Binding is the
second full length album.
Songs like Treading On Angels, Beyond The Seventh Gate and Paths To Immortality contains everything you may wish from a black metal-album, great balance between speed and heaviness, a dark atmosphere and some tasty melodies here and there. So even though they might not be in league with modern black metal masters like Negative Plane or MGLA, this is still definitely worth getting. 6.5/10 /H
Something that
might be disturbing some are the seemingly programmed drums. When it
comes to myself though, if the music just is good enough, I simply
don't mind it. And making music that's good enough is something that
Witchclan partially succeeds in doing. Just partially though, when
too much fast bass drumming is used, like in the opening Worms Of
Hypocrisy, it sounds very artificial. But when regular 2-beat or
simple basic patterns dominates, you barely notice that the drums are
programmed. Also, the tolerance-level gets higher the more you
listen, so the longer into the album I get, the more I enjoy it. So
if you just get past the trembling and kind of misleading start, I
assure you that this album has got more to offer.
Songs like Treading On Angels, Beyond The Seventh Gate and Paths To Immortality contains everything you may wish from a black metal-album, great balance between speed and heaviness, a dark atmosphere and some tasty melodies here and there. So even though they might not be in league with modern black metal masters like Negative Plane or MGLA, this is still definitely worth getting. 6.5/10 /H
10/8/14
Review: Under The Church – s/t (Tape Worship 2014 MC)
The early 90's
may be long gone, but as we all know the notorious Swedish death
metal lives on. The question is though, is there any more authentic
sounding band around than Under The Church? I don't think so, can't
find a single trace of awareness about anything that has happened the
last 20 years. The logo, the cover, the sound and the songs, it's
like they've used a time machine. Which probably ave been said about
thousands of retro-bands by now, but this is the first time I truly
gets that particular feeling. Even the most old school sounding bands
always show the slightest signs of external influences or rethinking.
One of these rare occasions where the label's description is actually
true (“Amongst the countless SweDeath-worship bands everywhere,
UNDER THE CHURCH distinctively separates themselves from the pack and
remains to be the true originators of Swedish Death Metal!”).
The fact that two
out of three members actually contributed to the establishment of the
genre in Nirvana 2002 probably means a lot, I assume they just think
the way they did back then. Under The Church is way more than the
mega old-school sounding production though, the songs are
ridiculously strong as well. It's off to a slightly weaker start
though with two mid-paced songs. Not by any means bad, but I think
that the order of the tracks might could have been better, you get
the feeling that they're holding back a little bit. From Digging In
The Dirt and onward though it's full speed ahead, along with the following
songs Under The Church (modern classic-warning) and Burning, it's the
definite peak. But as I said, this is nothing but high quality all
the way. 7.5/10
10/4/14
Review: Capilla Ardiente – Bravery, Truth and Endless Darkness (LP 2014 High Roller)
I know I'm definitely not alone to
have been absolutely blown away by Procession's last album To Reap
Heavens Apart released last year, such a monumental creation of doom.
So the news that half of Procession apparently also are in Capilla
Ardiente were very well received. Thus the similarities between the
bands are of course many, still you're absolutely able to tell that
they are two different bands.
As Procession are slightly more melody
driven with a distinct heavy metal influence constantly present, the
feeling you get when the tones of Bravery, Truth and Endless Darkness
blasts out through the speakers is that this is more riff oriented,
and only about 100% pure doom, and nothing else. Although it's a very
strong album, it doesn't really have me by the throat the same way
that the last Procession-album, but it's not far behind. Both bands
are are simply responsible of creating some of the absolute best doom
that you'll find these days. 7.5/10 /H
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