Even though some melodies are sneaked
in every now and then, it is far from the so called
“Gothenburg-sound” (despite their geographical origin). The
proportion of melodies used is way more comparable to Dismember,
which comes to mind more than any other band while listening to this.
In the absence of the masters of death who nowadays are buried, yet
not forgotten, Miasmal is an excellent substitute. I was just going
to add something like “ their sound is still original though”,
but I'll pass since those statements are too watered down. I'll leave
that to all the labels out there promoting their shitty bands
instead. Miasmal plays death metal, and they're doing it very well.
8/10 /H
7/4/14
Review: Miasmal – Cursed Redeemer (Century Media 2014 LP)
One of the LP's that has been played
most frequently the last month is this second album by the Gothenburg
death metallers. It's their first release not being self titled, as
far as I know. I almost expected it to be named Miasmal II or
something, but apparently they were clever enough to come up with
another album title this time. The formula is basically the same as
on the first album, rough, powerful and uncompromising death metal.
The title track is opening just as convincing as Mesmerized did, the
mid-tempo mangel in Excelsior is just as crushing as Death Mask, both
albums contains eight songs and the playing time differs by only
about 20 seconds. So Miasmal II might be just what it is, in one way.
Why changing a winning concept?
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