Anyway, since the new Rocka
Rollas-album is so damn brilliant, it's hard to see any problem with
an additional album of equally sounding music. Since they both were
released at the same time, it comes naturally that you compare them a
lot to each other, and I do find The Road To Destruction stronger
than this. It takes a bit longer to get into as well, but once you've
given it a few chances, the real potential in songs like Time Is
Gone, To The Battle Far Beyond and The Windhorse Knight unfolds. The
monumental closer Legions Of Breitenhold is a perfect ending to yet
another very strong album. 8/10 /H
12/27/14
Review: Breitenhold – Secret Worlds (Stormspell 2014 CD)
12/22/14
Review: Barbarian – Faith Extinguisher (Doomentia 2014 CD)
The only traces that remains of
black/thrash/black/whatever are basically the vocals, which makes it reminding a lot
of the latest album by Pest (Swe). Desaster is mentioned in the
press-release as well, and it sure reminds of what they did with
Tyrants Of The Netherworld, but Barbarian are looking even further
back, to a time when there were only heavy metal or no metal
at all. With a clean voice, this could just as well have been some
obscure heavy/speed metal album, with some evil elements, from 1983 or
something. I think it's a very interesting move to look back
in music history and create something more original than most similar
bands.
So, to sum it up, this is definitely a very old school, yet fresh sounding album. Some might find the production a bit too clean, but myself I have no such problems. It makes the riffs and songs stand out and adds another bit of new thinking to the regressiveness. 7/10 /H
12/16/14
Review: Rocka Rollas – The Road To Destruction (Stormspell 2014 CD)
More goods
delivered by the Stormspell camp, this is the third album by the
project that now has turned into a proper band. Their earlier
releases hasn't really taken me by storm to be honest, I liked the
Blazon Stone- and Mortyr-albums much more than the previous Rocka
Rollas-album. But when I heard the first samples from The Road To
Destruction, it was clear that they were about to unleash something
way more immense this time.
The riffs, the songs and the production are all simply spot on, and the fact that Ced has taken over the vocals himself this time is definitely contributing to the improvement, sounding like a mix of Kai Hansen (Helloween) and Bert Kivits (Emerald). Adding everything up, what you get is an album that's definitely one of the best of this year, and an album that takes Rocka Rollas right up to the top of the most interesting bands in Sweden right now. If they keep their current very active release-schedule, we hopefully have lots of more great albums to look forward to in a not so distant future. 8.5/10 /H
12/14/14
Review: Sacro Sanctus – Deus Volt (Metal On Metal 2014 CD)
This is the new solo project of Albert
Bell, known from bands like Forsaken and Nomad Son, two bands that
have released some killer albums. So my expectations on what he have
created on his own are definitely high.
First of all I have to praise the
artwork and layout of this CD, it looks truly stunning. Almost worth
buying for the cover and the booklet alone.
Musically, this is not at all in the
same vein as his other epic doom metal bands. Well, the doom-part of
it remains unchanged indeed, but otherwise this is way more dark and
raw, rather than melodic and powerful as we're used to. It even
reminds a lot of doom/mid-tempo oriented death/black metal-bands like
Root, Beatification Of The Dead could almost be mistaken for the
classic Písen Pro Satana the first time you hear it. It also sound a
bit like Mortuary Drape, as well as the typical Italian
doom-atmosphere in general, Abysmal Grief being a great example
(Malta isn't that far from Italy, right?).
One of the few weaknesses on this
album is the vocal performance, which is a bit bland and
expressionless. Sure it's a one man project, and the vocals are far
away from unbearable, but the rest of the music is just so great, the
right amount of wickedness and mental derangement could have made the
overall impression even better. Mr Bell should start to take some
“vocal” lessons from Big Boss or Labes C. Necrothytus. I also wouldn't
mind more vocals that are actually sung, and not spoken, like halfway
into The Tears Of Ishtar, or the entire closing title track. At those
parts, this album is at its absolute best. Anyway, what this album
might be lacking in vocals is definitely given back in delicate riffs
and well written songs, all in all it's an enjoyable experience. 7/10
/H
12/13/14
Review: Outrage – The Demo(n)s 1985 (Ripping Storm 2014 LP)
As if their
killer new album We The Dead (one of the highlights of 2014, no
doubt) wasn't enough, the first two demos of this forgotten German
band has now been re-issued on vinyl! I got a CD-R with both of them
from the band around the time the compilation of re-recorded tracks
Go To Hell was released, three years ago, and since then I've been
waiting for someone to release it on black (and coloured) wax. To
finally have it in my hands is just fantastic, cheers to Ripping
Storm Records for making it happen.
Now let's get to the main reason that this LP is so long awaited, side B and their second demo. A hidden gem of highest quality classic German black/thrash. Definitely in league with the early masterpieces by Sodom, Kreator and Poison's essential Into The Abyss. Poison actually appears on several old gig-flyers that covers the insert of this LP, those shows must have been something extraordinary. Anyway, you should now what we're dealing with here by now, a must have release, and nothing else. Get this, and their fantastic new album if you haven't done so already! 9/10 /H
12/12/14
12/9/14
Critical Mass Compilation vol. 2
The other featured bands are:
MORDBRAND, PAGANIZER, THE HIDDEN, BIRDFLESH, NIGHTMARE CITY, THE CHEAPSHOTS, THE PETE FLESH DEATHTRIP, JORMUNDGAND, INSANE, TOTAL INFERNO and SINNERS BURN.
12/7/14
Review: Deadly Force – From This Hell (Stormspell 2014 CD)
The closest parallel to draw would probably be post-2000 Iron Maiden, much because of the fact that the vocalist Flavio Lino sounds a lot like Bruce Dickinson has done the last 15 years or so. But musically, this is way more traditional and down to earth, no 10+ minutes songs as far as the eye can see. Yet there's always still an epic feeling present though, who says songs must be super long to be epic? With that said, I still think that this band would definitely be able to create something more ambitious on future releases. It will be interesting to follow them, If you're a fan of Iron Maiden and their countless apprentices, you should check this out. And who doesn't like Maiden? 7/10 /H
12/5/14
Review: Autopsy – Tourniquets, Hacksaws and Graves (Peaceville 2014 CD)
2014 is starting to face the end, and I'm behind as shit on the reviews, but I'll give my
best to hopefully post something about all the releases I've enjoyed
during this year. Some might have been released almost a year ago,
but whatever. First up, the latest album by the living death metal
legends Autopsy.
Fast and twisted rippers like Savagery, Parasitic Eye and the title track are combined with more mid-paced tunes like King Of Flesh Ripped and Teeth Of The Shadow Horde. And of course there are also some slow, filth crawling doom numbers, The Howling Dead and Burial gives you just what you need, and along with the rest gives form to an album just as fantastic as you could ever expect from this band. Although I love the other new albums as well, I think that this, along with the EP The Tomb Within, is probably the best they've done since the re-union. Hopefully their productivity will stay intact, and we'll get a new Autopsy-album in 2015 as well. 9/10 /H
Some critical voices may claim that
releasing another album just ten months after last years The Headless
Ritual seems a bit rushed. But since we're talking Autopsy here, I
don't really see the problem. I find the fact that one of the songs
are entitled Forever Hungry very appropriate. Since the re-union in
2009, they have given us new releases each year, always delivering
the absolute best death metal you'll possibly find these days, and
never lacking quality. Tourniquets, Hacksaws and Graves is no
exception.
Fast and twisted rippers like Savagery, Parasitic Eye and the title track are combined with more mid-paced tunes like King Of Flesh Ripped and Teeth Of The Shadow Horde. And of course there are also some slow, filth crawling doom numbers, The Howling Dead and Burial gives you just what you need, and along with the rest gives form to an album just as fantastic as you could ever expect from this band. Although I love the other new albums as well, I think that this, along with the EP The Tomb Within, is probably the best they've done since the re-union. Hopefully their productivity will stay intact, and we'll get a new Autopsy-album in 2015 as well. 9/10 /H
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